Reporting and writing are the central disciplines of journalism. Accordingly, the core of the ACJ curriculum in the first term is an extensive series of lectures and workshops on gathering and presenting news.
Through laboratory exercises and outside assignments, students learn to seek out information and convey it in journalistic form. This experience
helps them develop the variety of skills indispensable to all branches of journalism; in particular, the ability to write clear, straightforward, and concise English. In similar lectures and workshops, students learn to edit news copy and to write headlines for various media.
With cross platform and multimedia journalism gaining currency, students across all streams are exposed to the fundamentals of storytelling for the web, including an introduction to some of the state-of-the-art tools and applications, recording and producing audio and video, search engine optimisation and photo journalism.
During this term, all students are required to attend a series of substantive lectures, designed to introduce them to the history of the media, to the legal and other aspects of professional journalism, and to many of the critical economic, political, social, and environmental issues of our times. These lectures, offered by outstanding scholars and media practitioners, reflect a central conviction of the Trustees: that journalists, especially in Asian countries today, have an important role to play in increasing public understanding of the fundamental and often complex problems of our societies, avoiding the traps of superficiality and dilettantism.
Critical analysis of the existing news media is another important element of the curriculum in the first term. This exercise helps future journalists become aware that the way in which an event is viewed and reported depends to a great extent on the imperatives of the medium in question and on restrictions imposed by shifting outside influences. There are five required courses in the first term: Reporting, Writing and Editing; Tools of the Modern Journalist; Key Issues in Journalism; Media Perspectives; and The Media, Law and Society.
In the second term, students begin to specialise. They learn to select, report, edit, and produce pieces in the form required by the particular stream they have chosen. Under the guidance of professionals, they develop their skills in interviewing, researching and news gathering, and sharpen their ability to recognise and develop stories. They use the Internet and other information and data resources to discover new angles to the
In the third term, students pursue their stream specialisations, producing work of increasing range and complexity. They also continue to take elective courses.
Much of this final term is devoted to two major pieces of work required of all students — the Investigative Report and the Dissertation.
Journalism of technological convergence and multimedia storytelling
The Asian College of Journalism has set up a state-of-the-art Integrated Digital Newsroom in its Chennai campus. The Integrated Newsroom will be used to impart hands-on training to journalism students across streams to produce and disseminate interactive, multimedia content on web and mobile platforms.
Unlike a computer laboratory or a classroom, the Integrated Newsroom has an open, non-hierarchical environment in which students collaborate and deliver fresh, relevant and meaningful content tailored for multiple digital platforms.
The student will be trained in a newsroom environment to handle text, photographs, audio, video and interactive multimedia elements such as infographs, timelines, maps, charts, slideshows and web graphics which will be used judiciously for news storytelling.
The Integrated Newsroom is equipped with two video bays and one audio bay, besides 16 modern workstations, equipped with a wide range of software tools and applications necessary for producing multimedia content. Students and faculty supervisors get to use an interactive digital board for teaching, for exhibiting student work – either while in progress or on completion – for suggestions and critical feedback, for news listing and assigning work, and also for holding interviews in distant mode using applications such as Skype and Google Hangout.
Investigative reporting is a special form of journalism in which the reporter attempts to unearth a set of facts that would otherwise be inaccessible to the public. Often these facts are hidden by a lack of transparency in government, corporate entities and other institutions; by official indifference; or by a deliberate cover-up. Where the subject of investigation is of real public interest, the story may have a major impact.
Either singly or in teams, depending on the nature of the medium in which they are working, all students undertake a project of this type. The subject can be almost any problem that affects a significant number of people, for example, the prevalence of child labour or trade in human organs or corruption or professional malpractice. Under the guidance of professionals, students learn how to undertake an investigation — searching public records, interviewing experts and persons directly affected, evaluating sources, weighing evidence, verifying facts, and presenting their findings fairly and persuasively. In all cases, the investigation must take up issues of significance and come up with specifics, as distinct from a description of a general phenomenon or practice. Sting, the module emphasizes, is the last resort of a conscientious journalist.
This is a written work of 5,000 to 8,000 words, required of all students. By the end of the second term, faculty members will have advised students on the selection of topics and approved their proposals; they now supervise the research and writing required to complete the project. Students defend their dissertation in a viva voce session with the designated supervisor.
The dissertation could be on a topic requiring extensive secondary research and some field work which explores it from multiple angles; it could also be a detailed review essay on a number of books, films, plays or musical compositions by an author or a composer, or a set of works based on a theme or covering a period or an era. A third possibility is the analysis of the media coverage of a major event or movement (the Delhi gang rape case; farmers’ suicides). The topics, however, are not restricted to the examples above; in the past they have ranged from the Public Distribution System to the treatment of the mentally ill, from social themes in Dickens’s novels to Marx’s theory of alienation.